Sunday, March 11, 2012

IVCF Windsor ? Blog Archive ? Type Writer

A Chinese court sentenced the Dear friends, writers and journalists around the world, including China and Russia, I wish to inform you that my people is exposed to a genocide. Since one week diet Syrian forces intensified attacks against rebellious cities in particular Homs, Zabadani, the suburbs of Damascus, Rastan, Madaya, Wadi Barada, Figeh, Idlib and in the mountain villages of Zawiya. For a week and up French comedy produced by Joel Seria 1:30 (The cakes Pont-Aven, San Antonio loves the weather, ?) with Sylvie Testud, Balthazar Dejean de la Batie. 1:45 French drama directed by Safy Nebbou (neck of the giraffe, the Mark of an Angel: best prices for Best Screenplay at the 32nd International Film Festival in Cairo) with Gerard Depardieu, Benoît Poelvoorde. You can use these XHTML tags While the new novel by Umberto Eco is set to release in our bookstores, on March 23, the Italian press accuses its author of having mixed historical and fictional elements. But this time he decided to tackle the "Protocols of the Elders of Zion", a text written by a forger Russian at the beginning of the century in Paris "into believing that In the distance, a lamp. It does not flicker in your " Possibly from the willful At one point they agree almost everyone and most of them. Beyond the forms, the gender issue is drawn not to use the masculine and feminine every time we talk about humanity. It involves ideas and policies that exceed the linguistic, although they can include it as well. Here are some of the conclusions that emerge from the dialogue with writers, intellectuals, historians and journalists polled by THE NATION from the warning issued by the Royal Spanish Academy (RAE) on the use of a hose leading Latin American women to speak and male instead of using a collective noun that designates. Last week, the SAR issued a report warning that Spanish speakers are not discriminating when they use the masculine gender to refer to men and women: do not need to change the use of language to escape the sexism and they are not forced to go gender female names of some professions. "What bothers me in this controversy is trivial hypocrisy. Here is not talking about grammatical correctness, but about who is entitled to interpret the patterns of language. The point is that if Before we start talking about the characteristics of his work and his understanding of literature, I thought that James would make some allusion to Gil ubiquitous topic of conversation has been installed in our lives as a guest uncomfortable and unexpected economic crisis. And no wonder: the exorbitant amount that exceeds five million unemployed and the worrying decline in per capita income to 2002 levels, corroborate this diagnosis that even the most apocalyptic dared to predict in their predictions. But instead, the first thing James as we sit around a table to ward off the chill of winter with two hot drinks, is out of his backpack a crumpled copy of the last Babelia and wonder if I read the article Enrique Vila-Matas. I apologize arguing that newspapers over the weekend, in fact, to last me all week, because they are so bulky and they bring so many opinion pieces, reports and supplements, I'm reading dosing until next weekend , when I go back to fill the cabinet room waiting scrapped newspapers, inert and patients, the right moment in which to pay attention. Not without regret and some shame, I tell you that Babelia James alluded to, Article by Enrique Vila-Matas, is yet another supplement that I add to a long list of papers accumulated at home yet been reviewed. As a scholar and type writer passionate about his vocation, James tells me not to stop reading this article because I find it very interesting things about the literary and hands over one of the large and Vila-Matas. A journalist by profession, knowing the rules of the trade, James knows how important it is for the interviewer to find good headlines that emphasize the content of the interview. So when I ask about the title overwhelming one of his novels, The defeats daily shows determination and strong from the beginning. 'I think we are defeated in advance and write because of it. We are defeated before because we are not able to control our destiny, because in a split second you disappear you and your world forever. We left the paradise that is the womb, a world loud and cheesy in which the strongest always wins. However, I believe that within this defeat one should pursue happiness and live your best. "The womb in which I usually retreat is literature. Literature is the best way to overcome that loss is assumed and sure death. When I write I always like to put in the position of the losers. As I said the song of ABBA, winners take it all. The epic of the loser is the one that interests me when I write because every loser has a story much more interesting than the winners. The winners and take the cheers, applause and have their egos rather uploaded. Yes, always. Since the sun rises every morning, the birdsong, a verse, a song, a goal anthology, a look, a gesture. I think life is everywhere full of reasons to pursue happiness. Another thing is that with our pace and with the conception of life which we live we have desnortado or misplaced. But even in those losses, you're find, and the desire for serenity, to stand before the sea, to look inward, takes you to happiness. "Sport also takes you to happiness. For me the sport is as essential as writing. I said at the outset that life is a loss assumed, but the duration of the game is immensely be as happy as possible, strive to be what you want in life, not ever give up any dream of utopias permanently raise , to rebuild those dreams when you come down and stay with those little things serratianas so great. There is a standing miracle in the life that dwells anywhere, which leads us to be happy. I think the natural human condition should be aspiring to happiness. 'When I was fifteen I did not read. Playing in the street with my friends football or basketball, but not read. Albert Camus said that he learned everything he knew about life playing football. I agree with him. I like individual sports in which I myself goals framework. Soil run almost daily. I also like swimming and walking. But when you run a long distance entablas a fight with yourself and with your mind. "There is a fantasy novel by Murakami, do we mean when we talk about race, which has this. In this book, he noted that while running do not think about anything while you think about everything. When you practice sport, your mind is much more lucid to think and create. For me, when I go running every morning, the first ten minutes are especially hard, but when you take a little while you recover and start to feel good. In writing a novel is exactly the same. Like sports, writing is a necessity for me mentally. The days for various reasons, I can not write to me come down, they defeated themselves. -Together with the failure and pessimism, apathy is another key theme of his work. How can avert the adverse effects of apathy?. -Everyone can be apathetic. We can all fall in the loss. You write because you can be anyone, because you are afraid to be anyone. Write to stay afloat depends on chance, but it also depends largely on your daily responsibility. It is not easy to stay afloat in the world in which we live. When you see a beggar on the street or an alcoholic in a bar, you realize that the line separating their lives from yours is minimal: four accidents, four measures, four laps down one's life. I am very afraid that apathy and go through life without living it. So I write about such characters. It should be pretty discouraging to see that life passes before you, lock you in your home because your world you check out. I think what needs to be done in such cases is to keep the gray weather, the dark cloud, come as soon as possible and return to a certain serenity and harmony. I write for fear of being one of them. 'I never brought up the argument or the art of a book before approaching him. We do try, for that narrative becomes literature, is to play with the winks of complicity with the reader. So I really like what metaliterary that some of my characters also write, etc.. I think the words and the novels are to play with them and not to bore the reader. We must find some kind of emotional impact on him. The reader should not amuse to move away from the book. The literature is to go beyond what could be expected. Kafka said, and I always repeat, you have to type in the shadows. I do not believe that you have everything set out before sitting down to write. I think we should go into those shadows. Sometimes you guess right and sometimes wrong, but if you want, the reader finds. 'Yes, we change. That is also why we write. As children we do not have the losses assumed, but keep playing with all the freedom and all the energy of that game. Rilke said that the country's children and that you spend a lifetime trying to regain the lost homeland. Children live in permanent surprise, permanent learning process in a constant state of anticipation. Everything is great news. However, as adults we become self-conscious and timid and had long before most of the facts found in the street. Not that I'm raising a return to childhood, or anything, but try not to forget the child I was. Her work often provides a stark picture of society that moves between superficiality and moral corruption. Does your literature as a means of social protest?. -In my case, the novel is an adjunct journalism. Journalism is a literary genre but has the problem of the extension. Through the eyes of the journalist sees the world differently: is the B side of life. And I have the eye of the journalist when I write. I think that when stories are told with the heart as if you'll be part of that story in itself and contains a moral. The writer must be able to convey to the reader why, how and when of this character without having to specify it. "I think that when stories are told with the heart as if you'll be part of that story in itself and contains a moral." -The image that recreates the economic market is not disappointing. What motivated you to make this crude and rough portrait of the working world?. -The figures speak for themselves: there are five million unemployed in Spain at this time. Four or five years ago loomed that the world was listing where he should not, but even in the most apocalyptic of my arguments could even think that we got where we are now. The economy mark the social and political agenda worries me a lot and it scares me. Everyone was expecting in this election a supposed political change in Spain, but for now will not see any political change because the world is subject to the economy. No philosophical, economic or intellectual to help redress this situation. And I think we're talking about a global problem: what is the mission of man on Earth and what kind of world are we leaving the people who come after us. The arguments of the writers in the next twenty or thirty years will inevitably go around. -All. I live in the Canaries because I need the sea by hand. Sometimes you ask yourself if it's worth to go live without. I lived in Madrid for a long time, but in the end, taking the current technological possibilities that allow you to be online all the places where I'm happiest is here, where I have the closeness of the sea. Although our view of the sea, even though the Atlantic, is a "Mediterranean look". I do not know who said it, but I completely agree. -It is a poetic look, a look at childhood, a look at memory. This gaze theory has little to do with the rough seas before us. It is a "Mediterranean look" at the Atlantic because our culture is Greco-Roman literature. From Homer we approach the sea as an adventure and search. But the sea is also a daily example of how to remake everything: the tide rises and falls. That what you saw as a child and is catching on you: how the sea sweeps in the evening and next morning a sea is unable to do the least damage. Yes, the sea is another metaphor for life. If I told you before that I've learned a lot of sports, now you say I learned much more from the sea. I grew up in my window guide but always saw the horizon of the sea. And then I checked since I was four years to go every summer to Agaete. I also checked to see how much was destroyed that paradise of childhood. We return again to the theme of paradise lost .. 'Yes. All my memories are buried on concrete moles. No. Even there I could see the horizon where the sun sets each evening, where I pulled on the beach with friends, etc.. This was a paradise and perhaps write to regain that paradise destroyed by the greed of builders and a misunderstood tourist operation. I think bestiality everything has been done not only in Agaete, but many of our landscapes. This is a recurring theme in my work. In fact, in the novel I just finished, a key issue is the deterioration of coastal landscapes. I believe that the literature in general, and especially the narrative in particular, is living now, if not the best, one of the highlights of its history, because many people are writing good quality stuff, handling different registers, for I read many unpublished stories and novels that are awaiting publication or will be published soon, and also because there are many processes personal search, many personal commitments to the literature with all its consequences. That is very important. People who do not see grants or money, but only its commitment to literature. -The G-21 has helped us to stick his head in Madrid and to draw some attention. It was an excellent job of Anghel Morales. But beyond that, in G-21 came together twelve authors, although they could have been many more, and sure to be many more who had undertaken separately in a while his own literary path. There is a common connection, than there is between people who have not had the opportunity to publish. "I think the Canaries will give literature a stir in a little short to medium term, if not already being given. When I say you are writing a lot, well I do because I think he is writing with the universal vocation to look elsewhere. So we have some advantage in the Canaries, because this land has always been a crossroads. And poetry continues to maintain the level we've always had. -The authors are not going outside the Islands, but are staying here because the canaries we run out of isolation. Right now do not care to write to Las Palmas, Madrid or New York. We pay close attention to the narratives that will emerge with social networks and other new forms of communication. Before there were islands within islands. That was tough: lost generations were not rewarded for their talent and that we must claim. But now they've finished most of the literary frontiers and soon everything will be rearranged depending on the quality and taste of the reader, not the whims of publishers and media productions. You will not need to be in the center of power for three or four powerful determine what is valid and what is not. -I find the simplicity for the reader to think that what we read is easy to do. And above all, do not fail ever. Life is a short period ranging from one another nothing nothing, and in between we must defend our dreams with the degree of discipline of which I spoke earlier. I do not believe in inspiration. I think there are flashes, but the inspiration comes from the discipline. Let no one forget that this is a work of stonemason, a galley slave, constantly paddling and not lose heart. If you're a writer you never give up writing if they try to steal all the time in the world. There is no blank page, disability, there is lack of time. I found it more as a journalist than as a writer. García Márquez says that "we must push the car a little every day." After Santiago I talk about his upcoming literary projects, we finish the interview and said goodbye. Upon arriving home, I went to the furniture of the room, opened the Babelia on the page containing the article Vila-Matas dealing with the idiosyncrasies of the writer and find in it the following sentence: "The look is more characteristic of the artist a dark side, we detected when we get the suspicion that our favorite authors wrote with admirable skill on life, but never knew anything about it. " And then this one: "Lost in reality, confirmed by their attitudes that a writer writes is not, in fact, a monster lurking madness." James was right. It would have been a shame to have stopped reading this article. Literature as philosophy. The words of James taking the defeat remind me everyday philosophies of ataraxia. His "sports and literature" is a real life manual. Would go recover the illusion of childhood and looks to the sea. Would we stop the deterioration of our coasts. Hopefully there is a new generation of canaries to write it. I hope your readers have.

Source: http://ivcfwindsor.org/type-writer/

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